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Tony Cokes, "If You're Reading This It's 2 Late: Vol 1"

Goldsmiths CCA

On view → January 19, 2020

If UR Reading This It’s 2 Late: Vol 1 is the first UK solo exhibition of US-based artist Tony Cokes. The exhibition provides an opportunity to see a broad range of powerful artworks made by Cokes since the 1980s, alongside two newly commissioned films. Cokes’ video works are eviscerating critiques and affective art works, bringing together colour theory, sound, music, and texts quoting a polyphony of voices such as Louis Althusser, Malcolm X, David Bowie, Public Enemy and Donald Trump. Meeting political and social commentary with cultural theory and a critique of capitalism, Cokes’ films viscerally confront the social condition, as well as the specific prejudices and threats suffered by black subjects. Recent works range across minimal techno, the Bush administration’s use of colour to engender a perpetual culture of fear, and music used to torture detainees during the so-called ‘war on terror’.

TONY COKES
If UR Reading This It’s 2 Late: Vol I

Goldsmiths CCA

St James', New Cross

London SE14 6AD

29 Sep 2019–19 Jan 2020
 

If UR Reading This It’s 2 Late: Vol 1 is the first UK solo exhibition of US-based artist Tony Cokes. The exhibition provides an opportunity to see a broad range of powerful artworks made by Cokes since the 1980s, alongside two newly commissioned films. Cokes’ video works are eviscerating critiques and affective art works, bringing together colour theory, sound, music, and texts quoting a polyphony of voices such as Louis Althusser, Malcolm X, David Bowie, Public Enemy and Donald Trump. Meeting political and social commentary with cultural theory and a critique of capitalism, Cokes’ films viscerally confront the social condition, as well as the specific prejudices and threats suffered by black subjects. Recent works range across minimal techno, the Bush administration’s use of colour to engender a perpetual culture of fear, and music used to torture detainees during the so-called ‘war on terror’.

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